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Пуэбло в Санта-Фе
Около 1922

Н.К.Рерих. Пуэбло в Санта-Фе. Около 1922

Ссылка на изображение: http://gallery.facets.ru/pic.php?id=1955&size=4

        
Атрибуты картины

Название Пуэбло в Санта-Фе
Год Около 1922
Материалы, размеры Холст, темпера, масло. 66 х 204.5 см.
Источник Каталоги аукционов Sotheby's http://www.sothebys.com/
Примечание Пейзажи Санта-Фе писались в 1921. Возможно, это "Туча веленная" (1921). По мотивам "Taos Pueblo, New Mexico" ? Картина продана 15.4.2008 на аукционе Sotheby's New York. Ср. Крепость

Фото исходного объекта

Фото около 1920 года. Очевидно, изображение упрощено, то есть это картина, а не этюд

PROVENANCE и др. информация

http://www.sothebys.com/en/auctions/ecatalogue/2008/russian-art-n08428/lot.88.html

RUSSIAN ART

15 APRIL 2008 - 16 APRIL 2008 | 10:00 AM EDT

NEW YORK

88

PROPERTY SOLD TO BENEFIT THE NEW YORK OPEN CENTER

Estimate 600,000 — 800,000 USD

LOT SOLD. 713,000 USD

Nicholas Roerich

1874-1947

RUSSIAN

PUEBLO IN SANTA FE, CIRCA 1922

twice stamped Nicholas Roerich Paintings & Collections, Inc. (on the reverse)

oil and tempera on canvas

26 by 80 1/2 in.

66 by 204.5 cm

We would like to thank Gvido Trepša, Senior Researcher, Nicholas Roerich Museum, New York, for providing additional catalogue information.

PROVENANCE

Collection of Louis and Nettie Horch, New York

Acquired from the above by the present owner

CATALOGUE NOTE

Nicholas Roerich spent the second half of August 1921 in Santa Fe, New Mexico. He went there in part to get a break from the stressful New York lifestyle and also to indulge his interest in the famous spiritual sites of the Pueblo Indians. He brought back nearly a dozen desert and mountain landscape compositions, as well as several depictions of the pueblos of Santa Fe and Taos. The artist later wrote, "If you go through the fairyland of the Indian pueblos, listen to their wonderful songs and profound ceremonial dances... after seeing the rich fantasy of their totem poles and examining their household utensils, you will then know the feeling of Western Russia or Siberia. It all combines into evidence that strengthens the old legend that several Indian tribes migrated from Siberia and Alaska." These cross-cultural references might have inspired the artist to add the silhouette of the white horseman, a symbol of the coming messiah, in the clouds above the glorified abode of people who lived in harmony with the natural and spiritual worlds. In 1923, this concept of the coming messiah found its full realization in the series of the same title, and in his painting Legend, Roerich chose to again depict the pueblo as one of the composition's key iconographic elements.

 

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